So far, her appeal's limited to OTT but with Kesari 2, the 26 year old charms the big screen as well.
All India Rank achieves a fine balance of authenticity and sensitivity in the fine portrayals of its young actors and old.
Poacher neither minces words in condemning these self-seeking slaughterers nor leaves any stone unturned in highlighting the hard work put in by friends of the forest, notes Sukanya Verma.
Malayalam cinema isn't the same as Telugu or Tamil, but Bollywood's blanket approach fails to see the distinction in Selfiee, observes Sukanya Verma.
Shilpa Shetty fills a uniform with grace and could, in an equal opportunity film industry, be cast with an actor half her age, and carry it off better than aging males prancing with women young enough to be their daughters, observes Deepa Gahlot.
'Every actor has to really look within, because a lot of them are not really in touch with reality.'
'It was just a question of getting behind the camera again and saying the three magic words -- Lights, camera, action!'
Death On The Nile doesn't have a tense narrative that would have made it an edge-of-the-seat affair, observes Joginder Tuteja.
Blind is a film you are better off not watching, warns Mayur Sanap.
I was very happy to see the old Shah Rukh Khan back. Please, leave the action to Salman Khan, requests A Ganesh Nadar.
Akshay Kumar looks cool in that trippy get-up and adds his charisma to the film that is otherwise a lot of verbiage, observes Deepa Gahlot.
Cuttputlli's absolutely absurd climax will have you rolling on the floor in unintended laughter, notes Sukanya Verma.
Mithya fumbles to make headway towards truth or dare, observes Sukanya Verma.
Bhediya is an easy, entertaining watch, raves Sukanya Verma.
The film has already earned Rs 90 crore and is all set to enter the Rs 100 Crore Club today, June 9.
Despite decent performances and good camera work, Ram Gopal Varma's Phoonk ultimately doesn't work mostly because of the way it ends.
There is a lot more to Bollywood than the unguarded glimpses Showtime offers, observes Deepa Gahlot.
An Action Hero's oil and water combination of genres doesn't always gel, gets overly far-fetched in places but still holds up on the strength of whimsy and surprise, notes Sukanya Verma. An Action Hero Review.
The first quarter has scored mostly flops, with just one blockbuster (Chhaava) and a smattering of those which have recovered costs.
If Jaanbaaz Hindustan Ke differs from other shows in the crowded genre, it is because the two lead characters are women, observes Deepa Gahlot.
Subtlety has never been a strong suit of Bollywood remakes. They cannot resist adding that extra something or going overboard, sighs Sukanya Verma.
Neeyat is not only sluggish, it also creates zero interest in the characters. It could, perhaps, be watched on OTT, where it is inevitably headed, feels Deepa Gahlot.
The plot keeps getting weirder by the minute, and scenes leapfrog round with no control... The end result is bafflement and boredom, observes Deepa Gahlot.
From moments that felt long time in the coming to swashbuckling statements that could be interpreted in more ways than one, there are some that fanned our nostalgia, some made our jaws drop (or stomachs churn), some hit too close home, still others left us with a lingering sense of guilt. Sukanya Verma picks cinematic imagery that stood out in 2023.
The actor was last seen in 2023's OTT film, Gaslight, and now returns to wow us in an OTT series.
Upacharapoorvam Gunda Jayan is a good respite from the dark, violent films we have seen in recent times, observes Divya Nair.
Jubilee's irresistible celebration of cinema and all its good, bad, ugly ways lives up to its title, applauds Sukanya Verma.
Where a few film-makers are sensitive in their treatment as noted in the depiction of lesbian love in Hindi movies, a significant number is prone to poking fun for cheap laughs.
Bhool Bhulaiyaa 2 is a silly scary movie that knows it is a silly scary movie, observes Sukanya Verma.
Hindi Medium works because it manages to stretch itself beyond its scrubby elements, easy half-baked jokes, lessons about consumerism and our love for English, into a simple story about a boy who would do anything to see his girl smile, feels Sreehari Nair.
Spin's rather old-fashioned and vanilla depiction of the Indian American way is a bit of a bummer, feels Sukanya Verma.
Major is in a perennial state of exaggeration. The sighs, the misty eyes, the mushy speeches, its details are invested in highlighting all things in-your-face, observes Sukanya Verma.
Mili establishes Janhvi Kapoor as an actor striving to be taken seriously, observes Sukanya Verma.
Thalaivii proves Kangana is the Queen of Bollywood, asserts Syed Firdaus Ashraf.
There's too much going on in Anek, and a lot of it is terribly disjointed, complains Sukanya Verma.
There is a kind of audacious large-scale experimentation which is admirable, even if the novelty and potential of the idea are not fully realised, notes Deepa Gahlot.
Bring out the popcorn, Sukanya Verma promises that there's *tons* to catch up on OTT this week.
The two-part docuseries, created by filmmaker Neeraj Panday, is not only informative but also engaging, feels Namrata Thakker.
I don't remember Rajinikanth beheading anyone so brutally in any of his previous films. Or glamourising so much of blood and violence. This is an altogether different version of a brutal Ra1jinikanth, something you and I had probably never imagined before, observes Divya Nair.
Everything about Radhe Shyam is such a boring waste of time that you can't decide whether to doze off or scratch your head and hope to make some sense of what the film is trying to tell you, sighs Divya Nair.
